Hymn: Glorious Things of Thee Are Spoken
The text of this hymn is based on Isaiah 33:20-21 and “gives
a general notion of the state of the redeemed in the kingdom of God,” according
to LindaJo McKim. Paul Westermeyer notes that John Newton’s hymn came with a
footnote referencing another of his hymns, “Zion, the City of Our God.” He
writes, “One paraphrases what those who walk righteously, speak uprightly,
despise oppression, wave away a bribe, stop their ears from bloodshed, and shut
their eyes from evil (Isaiah 33:15) will see in the glorious city of Zion…
Though the glories of the city are not absent, they are not the point. The
point is God’s grace that evokes our praise.”
Hymn: All Who Hunger, Gather Gladly
Hymn writer Sylvia Dunstan acquainted herself with tunes
from the Southern Harmony during the
Hymn Society conference in 1990. She says, “After the conference, some of us
vacationed at Folly Beach… where I worked out this text, wandering up and down
the beach singing the tune HOLY MANNA.” Paul Westermeyer writes, “The text
itself picks up the title of the tune in connection with holy communion and
then sets up a series of contrasts between before and after: from wilderness
and wandering to truth and being fed, from restlessness and roaming to joy and
feast, from loneliness and longing to peace and God’s leading.”
Hymn: Let Us Talents and Tongues Employ
LindaJo McKim writes, “This lively ‘Communion Calypso,’ as
Fred Kaan titled the hymn, was written at the request of Jamaican composer
Doreen Potter. Mrs. Potter, whose family lived on the same street in Geneva as
the Kaans, brought the adaptation of a Jamaican folk melody to him and asked
him to write a text. He decided on a hymn of celebration for the Lord’s
Supper.”
Anthem: Lift High the Cross
This hymn’s language can at first seem quite militant;
however, it was originally intended to be a processional hymn proceeded by a
versicle, where a liturgical leader would read, “God forbid that I should
glory” and the people would respond, “Save in the cross of our Lord Jesus
Christ.” In his commentary on the hymn, Paul Westermeyer says “The hymn itself
treads on dangerous waters, however, in the original third stanza by referring
to Christians as soldiers and by the line ‘The hosts of God in conquering ranks
combine.’ But they can only be understood in light of another line, ‘Praise to the
Crucified for victory.’ As usual for the church, the crucifixion’s strange
victory stands at the center, and the pretensions of empire are quashed.”
Music during Communion: We Come to the Hungry Feast
Written by Ray Makeever for a communion liturgy, this hymn
was inspired through Gordon Lathrop’s speaking about the Eucharist as a hungry
feast—hungry for a world of peace, hungry for a world released from hungry
people of every kind, and hungry that the hunger cease. Westermeyer writes,
“This is not meditative prayer around the table. It is rather prophetic coming,
which leads where the Eucharist leads, to going from the table and doing on
behalf of a hungry world.”
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